Comics films DC Often gets from critics — at least since Warner Bros. They began to build their multi -seniority with Batman and a suicide detachment. It seems, "Wonderland" to turn this unkind tendency about your charming knee. And she can handle it. Because there are still women in remote islands in the ocean ..
Genre: Cinema Communication Director: Patty Jenkins Scenario: Charles Roven, Deborah Snyder, Zach Snyder, Jason Fuchs Cast: Gal Gadot, David Tulis, Robin Wright, Chris Pine, Konni Nielsen, Elena Anaya and others Premiere in the Russian Federation: June 1 Slogan: "Justice will come with her" Rating: 16+
Goddess
It is on the island of the Amazons that this story begins. Here the baby Diana grows up, learns to fight, enters into her first conflict with an excessively defering her mother because of the desire to leave to fight with the agent Steve, whose plane (exactly above the territory of the Amazons), the Germans knocked out. Here she gets a very solid education, which she shines more than once in the course of action.
And here it turns into the most charming beauty in the entire multi -sized DC, and at the same time Marvel (crying with envy, black widow!). It seems that the “Wonder Woman” returns that era when it is not shameful for an adult, a solid man on the wall, a poster with a film actress-after all, she is not “Hot-Hot-Hot”, but really beautiful.
The design of the island’s interiors seemed to be engaged in Tarsmam Singh.
Gal Gadot is so royal in the image of Diana that it steals literally every scene, the participant of which becomes. There is something so anticoneless in it, which provides an ideal one in the image: the word "goddess" from the poster is not an exaggeration either plot or visually.
And this is great-because a difficult task lies on the shoulders of this character: the Wonder Woman must bear its feminist message to the world. Not matriarchal, not about the struggle for the rights, but that is the original, philosophical feminism, casting doubt on male values: career, power, money. Diana fights for the love, mercy and happiness of her unfamiliar people in the fields of the First World War, in one of the most difficult periods of human history.
Wonderine is so strong that it could win the war for two weeks.
The film is very deft qualities, opposed to the god of war Ares.
Moreover, if the miracle woman as a bearer of ideology-here it is, look and enjoy! — then about Ares, we cannot say exactly who he is inventing, personification of negative human qualities or a real villain who became the root cause of the world war. Each character has his own vision of this issue. Spectators do not fully know what will change in the world and in the characters themselves if they reach the intended goal. Thanks to this, the film perfectly preserves intrigue and keeps in tension.
The most important moment of the myth is the heroic of his sword.
The god of war
Scriptwriters and director skillfully construct and alternate vivid situations: amazing combat scenes, hilarious dialogs, terrible, unsightly frames of war. World War here (unlike the “First Avenger”) is not an attraction and not background — it is real suffering, injury, death, horror in the eyes of women and children. It is a plot engine, a constant source of motivation for all actors. And for each war is acting in his own way: idealist Diana is eager to save everyone and everyone, a pragmatic Steve is trying to fulfill his combat mission, and the villains revel in violence and power.
Bright armor of the miracle woman contrasts perfectly with the gray background of trenches.
The First World War experiences the strength of Diana's idealism, completes the formation of her character. And helps to open better to her companions. Then the authors were able to gracefully dance past the whole field from the rakes, on which their predecessors previously advanced. Satellites of the Wonder Woman-not superheroes who at the decisive moment will do everything for it or pull out of captivity, but also a ballast that does not flicker underfoot-these are just people. You can say about everyone what he wants, what role does the general plot play. And even in the final battle, where secondary heroes physically cannot help Diana, they have their own important and quite feasible task — their place for the feat.
Adventures in London are easy to confuse with personnel from the film "Fantastic creatures and where they live".
And since we talked about the battles: the action in the film is to match the main character — beautiful. A very spectacular slowdown in time, the camera following the bullet, inhumanly graceful movements — as if looking at the explosive mixture "Matrices" , "Three hundred Spartans" , "Equilibrium" and fatalics from Mortal Kombat. What is doubly pleasant, this wonderful action in the film is exactly as much as you https://sister-site.org/kaiser-slots/ need. The picture does not sag and tires anywhere.
Witch
And yet DC could not do everything perfectly. There are not many problems with the villains of the Wonder Woman as other multi-senior tapes, but still they are. The main bastard calmly holds until the very last moment — cold, indifferent — and it really works. He scares. It is respectful. Takes by the soul. But for the very curtain for some reason begins to yell and bulges his eyes, which pretty spoils the impression. It is clear that the director wanted to show that all this is calm only the mask behind which the fear of death lives-but it was possible to serve somehow more, without cries.
The Paradise Island is somewhat reminiscent of the Marvel Asgard. Well, the abode of Elrond at the same time
Or here's another problem: the evil chemist Dr. Poison is in no hurry to share his motives with the viewer, she just behaves as if she likes to do nasty things. In one place, she even laughs at the next dirty trick, like a doctor evil. When one of the characters calls her a witch, you vividly understand that this is a very accurate definition for this villain. But I would like to know more about her — who she is? Why is her face disfigured? Who gave her this strange porcelain half mask?
There are enough some logical bloopers, some of which, probably, arose at the installation stage. The Amazons, having superiority over the enemy, for some reason get off the rocks, from where they could fire the Germans from the bows almost without loss. The warriors are cool, no doubt, but they are not friends with the strategy at all. The ship of the Germans — it seems that the island has hidden — does not try to attack it or send new landing groups. Well, or at least somehow notify the big earth about the find. What-well, you think the magical solar island was found, business!
And the fact that the heroes get from the island to London literally overnight on the sailboat, it seems real magic — and the presence of a tugboat does not clarify in any way. It remains only to dream of a directorial version that would remove similar oddities, but at the same time could reveal in more detail Dr. Yad.
Anti-squad of suicides
Since the film was shot when producing Zak Snyder, there were not without religious references-here are the branded shots “The Savior of Humanity against the Sky with open hands”, and the reasoning about whether a person is rotten by his nature, or after all this nature someone spoils.
Separately, we note the curtsies to the side "First Avenger" : flight on a huge plane at the end of the film, a trip on a motorcycle through a gloomy forest, and the very name of Steve — the hero of Chris Pine constantly wants to call Rogers. In principle, he is Captain America — what would he be without a superhel and with England as a homeland. And in the film there is, so to speak, a gun that hangs and does not shoot. Would have told in more detail, but you yourself understand — spoilers.
Villains as they are: love themselves, hate the world around them.
In addition to the fact that the “Wonder Woman” is full of internal contrasts, it is still perfectly opposed to other creations of mass culture. Even within the framework of the most film outstanding DC. In fact, before us is an ideal antipode "Suicide detachment". Instead of a bunch of poorly open characters — one exemplary hero. Instead of infantile and vulgar Harley Quinn, adult Diana with impeccable taste and education.
The crazy love line of Harley and Joker is easy to contrast the restrained military field novel (oh that you, what spoilers, it was obvious from the first shots of trailers!) Wonder Woman and Steve-None-Coroders. The comparison can be continued and developed until a full -fledged article, but you have caught a general thought.
Diana could just crush the hand of this bald brawler. But this contradicts her values.
The film speaks with the viewer at different levels, and it's very cool. “Wonder Woman” and an allegorical parable about the struggle of female and male values, and a solid thriller with elements of the detective, where you don’t know what to believe in, and even a good comedy of positions, which begins every time they leave Diana alone with Steve or put in in New cultural environment.
In addition, the film works perfectly on a visual level — the picture sets the mood perfectly for each scene.
We got the best female character in movie comics, the best film in the multi -senior DC and a great occasion to talk on serious topics. Damn, I want sequels from this woman!